Late Bresson and the Visual Arts : Cinema, Painting and Avant-Garde Experiment
Book Details
Format
Paperback / Softback
Book Series
Film Culture in Transition
ISBN-10
1041182023
ISBN-13
9781041182023
Publisher
Taylor & Francis Ltd
Imprint
Routledge
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Dec 1st, 2025
Print length
262 Pages
Weight
480 grams
Product Classification:
Film theory & criticismFilm history, theory or criticismMedia studiesMedia studies
Ksh 8,650.00
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This book looks at the largely neglected colour films of French film director Robert Bresson (1901—99) that can teach us about cinema’s distinctive ability to draw on painting, photography, sculpture, and the plastic arts in general.
The color films of French film director Robert Bresson (1901-99) have largely been neglected, despite the fact that Bresson himself considered them to be more fully realized reflections of his aspirations for the cinema. This study presents a revised and revitalized Bresson, comparing his late style to painterly innovations in color, light, and iconography from the Middle Ages to the present, to abstract painting in France after World War II, and to affinities with the avant-garde movements of Surrealism, Constructivism, and Minimalism. Drawing on media archeology, this study views Bresson's work through such allied visual arts practices as painting, photography, sculpture, theater, and dance.
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