Laughter and Civility : The Theater of Emma Gad
Book Details
Format
Hardback or Cased Book
ISBN-10
0299329305
ISBN-13
9780299329303
Publisher
University of Wisconsin Press
Imprint
University of Wisconsin Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Nov 17th, 2020
Print length
277 Pages
Weight
578 grams
Dimensions
23.10 x 15.20 x 2.20 cms
Ksh 11,500.00
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The first biographical and scholarly volume to examine and contextualize Emma Gad’s dramas, this volume explores how and why influential women are so often excluded from the canon. Lynn Wilkinson provides readings into all of Gad's plays and demonstrates how writers and intellectuals of the time took her critically acclaimed work seriously.
Emma Gad (1852-1921) was a prolific Danish playwright at the turn of the twentieth century. With sparkling prose and witty dialogue, Gad's ambitious and sophisticated theatrical productions raised important and still pressing questions about sexuality and morality-including the status of women in marriage, divorce, same-sex desire, and marital infidelity. Through her plays she engaged with contemporaries like Henrik Ibsen, Oscar Wilde, and George Bernard Shaw, yet she is primarily remembered for her etiquette book, Takt og Tone.
Laughter and Civility, the first biographical and scholarly volume to examine and contextualize her dramas, deeply explores how and why influential women are so often excluded from the canon. Lynn R. Wilkinson provides insightful readings into all twenty-five of Gad's plays and demonstrates how writers and intellectuals of the time, including Georg and Edvard Brandes, took her critically acclaimed work seriously. This volume rightfully reinstates Emma Gad's work into the repertory of European drama and is crucial for scholars interested in turn-of-the-century Scandinavian drama, literature, culture, and politics.
Laughter and Civility, the first biographical and scholarly volume to examine and contextualize her dramas, deeply explores how and why influential women are so often excluded from the canon. Lynn R. Wilkinson provides insightful readings into all twenty-five of Gad's plays and demonstrates how writers and intellectuals of the time, including Georg and Edvard Brandes, took her critically acclaimed work seriously. This volume rightfully reinstates Emma Gad's work into the repertory of European drama and is crucial for scholars interested in turn-of-the-century Scandinavian drama, literature, culture, and politics.
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