Leslie Thornton
Book Details
Format
Paperback / Softback
ISBN-10
3956795989
ISBN-13
9783956795985
Publisher
Sternberg Press
Imprint
Sternberg Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Mar 7th, 2022
Print length
224 Pages
Weight
908 grams
Dimensions
20.60 x 25.40 x 2.10 cms
Product Classification:
Individual artists, art monographsFilms, cinemaTelevision
Ksh 5,550.00
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The first monograph on artist and filmmaker Leslie Thornton: essential, foundational scholarship on her influential work in film and video.
Produced on the occasion of a major solo exhibition of Leslie Thornton at the MIT List Visual Arts Center, as well as a recent solo exhibition at Kunstverein Nurnberg, this richly illustrated volume will be the first monograph on this important artist and filmmaker, and offers essential, foundational scholarship on Thorntons influential work in film and video.
Thorntons early encounters with experimental, structuralist, and cinéma vérité traditions fueled her iconoclastic take on the moving image and gave shape to her practice of weaving together her own footage and voice with archival film and audio. In part through her forceful and dynamic use of sound, Thornton exposes the limits of language and vision in her works, while acknowledging the ways that language and vision nevertheless remain central to scientific discourse and narrative in general. Her work consistently interrogates modes of representation and the violence of looking, pushing beyond critiques of the gaze to consider biases in perception, or the way voice and sound can undermine an otherwise dominant visual narrative.
Copublished with MIT List Visual Arts Center and Kunstverein Nürnberg
Produced on the occasion of a major solo exhibition of Leslie Thornton at the MIT List Visual Arts Center, as well as a recent solo exhibition at Kunstverein Nurnberg, this richly illustrated volume will be the first monograph on this important artist and filmmaker, and offers essential, foundational scholarship on Thorntons influential work in film and video.
Thorntons early encounters with experimental, structuralist, and cinéma vérité traditions fueled her iconoclastic take on the moving image and gave shape to her practice of weaving together her own footage and voice with archival film and audio. In part through her forceful and dynamic use of sound, Thornton exposes the limits of language and vision in her works, while acknowledging the ways that language and vision nevertheless remain central to scientific discourse and narrative in general. Her work consistently interrogates modes of representation and the violence of looking, pushing beyond critiques of the gaze to consider biases in perception, or the way voice and sound can undermine an otherwise dominant visual narrative.
Copublished with MIT List Visual Arts Center and Kunstverein Nürnberg
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