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Letters from an Englishwoman in Egypt
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Letters from an Englishwoman in Egypt : 1842-44

Book Details

Format Paperback / Softback
ISBN-10 9774167627
ISBN-13 9789774167621
Publisher The American University in Cairo Press
Imprint The American University in Cairo Press
Country of Manufacture EG
Country of Publication GB
Publication Date Jul 6th, 2016
Print length 272 Pages
Weight 454 grams
Dimensions 23.30 x 17.00 x 2.00 cms
Ksh 3,150.00
Werezi Extended Catalogue 0 in stock

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Early nineteenth-century insights into Cairo life from the sister of famed Orientalist Edward Lane

First published in 1844, these letters are the collected observations of Sophia Poole, who lived in Cairo from 1842 until 1849 with her brother, the well known Orientalist Edward Lane, and her two children. During her residence, Poole learned Arabic and adopted Egyptian clothing that enabled her not only to observe day-to-day life in the streets and markets but also to enter hammams and harems and interact on an intimate level with Egyptian women of different classes. Poole ultimately had access, in fact, to the highest levels of society, including the family of the viceroy Mohamed Ali Pasha, and recorded her experiences there with the same eye for detail and understanding of underlying customs as she brought to bear in the marketplace. She moves effortlessly from situation to situation—the pasha’s daughter smoking her jewel-encrusted pipe, the homesick slave-girl, the occupation of ladies of leisure—one scene after another is unfolded in her writing that reveals not only a mind that observes and records but a human being who attempts to feel and understand a different culture.
In contrast to her brother’s dense works of research, Sophia Poole’s was cast in the form of letters to a friend. These letters cover her arrival in Alexandria and trip up the Nile to Cairo, as well as her life in Cairo, with its visits to surrounding villages. Letters from an Englishwoman in Egypt is at once entertaining and informative. If Edward Lane kept alive for posterity a post-medieval Cairo that has since disappeared, then his sister in her work no doubt complemented that great achievement by presenting the same world from a feminine perspective that he as a man could not have access to.


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