Lichtenstein Posters
Book Details
Format
Paperback / Softback
ISBN-10
3791385844
ISBN-13
9783791385846
Publisher
Prestel
Imprint
Prestel
Country of Manufacture
SI
Country of Publication
GB
Publication Date
Sep 5th, 2019
Print length
152 Pages
Weight
1,436 grams
Dimensions
24.90 x 36.50 x 1.90 cms
Product Classification:
Art & design styles: Pop artIndividual artists, art monographsPoster art
Ksh 4,350.00
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0 in stock
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Roy Lichtenstein’s masterful Pop Art posters from 1962 to 1997 are showcased in this collection of 68 full-colour reproductions.
Roy Lichtensteins masterful Pop Art posters from 1962 to 1997 are showcased in this collection of 68 full-color reproductions.
Lichtensteins art is most recognizable for its trademark benday dots and two-dimensional planes, cartoonlike qualities that placed him at the forefront of the American Pop Art scene. With its emphasis on consumer culture, Lichtensteins style lent itself easily to the poster genre. This volume opens with his earliest poster, designed for his first exhibition at Leo Castelli Gallery in 1962, and closes with his last, which he completed the year of his death. An additional section features reproductions from the Claus von Olden collection and includes posters and flyers that were produced all over the world using Lichtensteins iconic motifs. The works reflect Lichtensteins prolific imagination and ability to adapt his vision to the promotion of music and film festivals, theatrical performances, museums, restaurants, and public service messages as well as his own exhibitions. An essay discusses Lichtensteins development as an artist who blurred the boundaries between lowbrow and highbrow art.
Lichtensteins art is most recognizable for its trademark benday dots and two-dimensional planes, cartoonlike qualities that placed him at the forefront of the American Pop Art scene. With its emphasis on consumer culture, Lichtensteins style lent itself easily to the poster genre. This volume opens with his earliest poster, designed for his first exhibition at Leo Castelli Gallery in 1962, and closes with his last, which he completed the year of his death. An additional section features reproductions from the Claus von Olden collection and includes posters and flyers that were produced all over the world using Lichtensteins iconic motifs. The works reflect Lichtensteins prolific imagination and ability to adapt his vision to the promotion of music and film festivals, theatrical performances, museums, restaurants, and public service messages as well as his own exhibitions. An essay discusses Lichtensteins development as an artist who blurred the boundaries between lowbrow and highbrow art.
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