Drawing on memoirs, testimonies, autobiographical novels, poetic autobiography, journals, and diaries, Nasser examines solitude and national struggles in contemporary Arab autobiography.
In memoirs, Arab writers have invoked solitude in moments of deep public involvement. Focusing on Taha Hussein, Sonallah Ibrahim, Assia Djebar, Latifa al-Zayyat, Mahmoud Darwish, Mourid Barghouti, Edward Said, Najla Said, Haifa Zangana, Alia Mamdouh, Radwa Ashour and Mona Prince, this book reads a range of autobiographical forms, sources and affinities with other literatures.
Taking a comparative approach, Tahia Abdel Nasser shows the local sources of contemporary Arab autobiography, adaptations of a global genre, and cultural exchange. She also examines different aspects of the contemporary autobiography as it has evolved in the Arab world during the past half-century, focusing on the particularity of the genre written in different languages but pertaining to one overarching Arab culture. Drawing on memoirs, testimonies, autobiographical novels, poetic autobiography, journals and diaries, she examines solitude and national struggles in contemporary Arab autobiography.
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