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Literary Mischief
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Literary Mischief : Sakaguchi Ango, Culture, and the War

Book Details

Format Hardback or Cased Book
ISBN-10 0739138669
ISBN-13 9780739138663
Publisher Bloomsbury Publishing Plc
Imprint Lexington Books
Country of Manufacture GB
Country of Publication GB
Publication Date Apr 30th, 2010
Print length 214 Pages
Weight 468 grams
Dimensions 15.90 x 23.60 x 2.20 cms
Ksh 18,350.00
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Literary Mischief brings renewed focus to the work of Sakaguchi Ango one of the most creative and stimulating thinkers of postwar Japan. The essays and translations included get at the heart of the most volatile issues of culture, ideology, and philosophy of postwar Japan.
Sakaguchi Ango (1906-1955) was a writer who thrived on iconoclasm and agitation. He remains one of the most creative and stimulating thinkers of twentieth-century Japan. Ango was catapulted into the public consciousness in the months immediately following Japan''s surrender to the Allied Forces in 1945. The energy and iconoclasm of his writings were matched by the outrageous and outsized antics of his life. Behind that life, and in the midst of those tumultuous times, Ango spoke with a cutting clarity. The essays and translations included in Literary Mischief probe some of the most volatile issues of culture, ideology, and philosophy of postwar Japan. Represented among the essayists are some of Japan''s most important contemporary critics (e.g., Karatani K?jin and Ogino Anna). Many of Ango''s works were produced during Japan''s wars in China and the Pacific, a context in which words and ideas carried dire consequences for both writers and readers. All of the contributions to this volume consider this dimension of Ango''s legacy, and it forms one of the thematic threads tying the volume together. The essays use Ango''s writings to situate his accomplishment and contribute to our understanding of the potentials and limitations of radical thought in times of cultural nationalism, war, violence, and repression. This collection of essays and translations takes advantage of current interest in Sakaguchi Ango''s work and makes available to the English-reading audience translations and critical work heretofore unavailable. As a result, the reader will come away with a coherent sense of Ango the individual and the writer, a critical apparatus for evaluating Ango, and access to new translations of key texts.

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