Literary Partnerships and the Marketplace : Writers and Mentors in Nineteenth-Century America
Book Details
Format
Hardback or Cased Book
ISBN-10
0807138479
ISBN-13
9780807138472
Publisher
Louisiana State University Press
Imprint
Louisiana State University Press
Country of Manufacture
US
Country of Publication
GB
Publication Date
Jan 16th, 2012
Print length
256 Pages
Weight
466 grams
Dimensions
14.80 x 22.40 x 2.60 cms
Product Classification:
Literature: history & criticismLiterature: history and criticism
Ksh 6,000.00
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Examines an often-overlooked aspect of the history of publishing - relationships, of both a business and a personal nature. The book focuses on several intriguing duos of the nineteenth century and explores the economics of literary partnerships between author/publisher, student/mentor, husband/wife, and parent/child.
In Literary Partnerships and the Marketplace, David Dowling examines an often-overlooked aspect of the history of publishing -- relationships, of both a business and a personal nature. The book focuses on several intriguing duos of the nineteenth century and explores the economics of literary partnerships between author/publisher, student/mentor, husband/wife, and parent/child.
These literary companions range from Emerson's promotion of Thoreau -- a relationship fraught with pitfalls and misjudgments -- to ""Davis, Inc.,"" the seamless joining of the literary and legal minds of Rebecca Harding Davis and her husband, L. Clarke Davis.
Dowling also considers and analyzes the teams of Washington Irving and his publisher, John Murray; Herman Melville and his editor, Evert Duyckinck; E. D. E. N. Southworth and Robert Bonner, the publisher who serialized her sentimental novels; Fanny Fern both with her brother/publisher, Nathaniel Parker Willis, and with Robert Bonner, the latter a more successful pairing; and the famous fraternal relationship between Ernest Hemingway and Gertrude Stein.
Throughout, Dowling demonstrates the intrinsic irony of authors projecting their labors of the mind as autonomous even as they relied heavily on their ""literary partners"" to aid them in navigating the business side of writing.
These literary companions range from Emerson's promotion of Thoreau -- a relationship fraught with pitfalls and misjudgments -- to ""Davis, Inc.,"" the seamless joining of the literary and legal minds of Rebecca Harding Davis and her husband, L. Clarke Davis.
Dowling also considers and analyzes the teams of Washington Irving and his publisher, John Murray; Herman Melville and his editor, Evert Duyckinck; E. D. E. N. Southworth and Robert Bonner, the publisher who serialized her sentimental novels; Fanny Fern both with her brother/publisher, Nathaniel Parker Willis, and with Robert Bonner, the latter a more successful pairing; and the famous fraternal relationship between Ernest Hemingway and Gertrude Stein.
Throughout, Dowling demonstrates the intrinsic irony of authors projecting their labors of the mind as autonomous even as they relied heavily on their ""literary partners"" to aid them in navigating the business side of writing.
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