Literature and the Renaissance Garden from Elizabeth I to Charles II : England’s Paradise
Book Details
Format
Paperback / Softback
ISBN-10
1138257826
ISBN-13
9781138257825
Publisher
Taylor & Francis Ltd
Imprint
Routledge
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Nov 11th, 2016
Print length
288 Pages
Weight
444 grams
Dimensions
15.50 x 23.30 x 2.20 cms
Product Classification:
Literature: history & criticismLiterary studies: generalLiterary studies: c 1500 to c 1800
Ksh 10,100.00
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Spanning the period from Elizabeth I''s reign to Charles II''s restoration, this study argues the garden is a primary site evincing a progressive narrative of change, a narrative that looks to the Edenic as obtainable ideal in court politics, economic prosperity and national identity in early modern England. The book offers an original take on gardens by including medical and colonial discourse and by considering the perspective of ecocriticism.
Spanning the period from Elizabeth I''s reign to Charles II''s restoration, this study argues the garden is a primary site evincing a progressive narrative of change, a narrative that looks to the Edenic as obtainable ideal in court politics, economic prosperity, and national identity in early modern England. In the first part of the study, Amy L. Tigner traces the conceptual forms that the paradise imaginary takes in works by Gascoigne, Spenser, and Shakespeare, all of whom depict the garden as a space in which to imagine the national body of England and the gendered body of the monarch. In the concluding chapters, she discusses the function of gardens in the literary works by Jonson, an anonymous masque playwright, and Milton, the herbals of John Gerard and John Parkinson, and the tract writing of Ralph Austen, Lawrence Beal, and Walter Blithe. In these texts, the paradise imaginary is less about the body politic of the monarch and more about colonial pursuits and pressing environmental issues. As Tigner identifies, during this period literary representations of gardens become potent discursive models that both inspire constructions of their aesthetic principles and reflect innovations in horticulture and garden technology. Further, the development of the botanical garden ushers in a new world of science and exploration. With the importation of a new world of plants, the garden emerges as a locus of scientific study: hybridization, medical investigation, and the proliferation of new ornamentals and aliments. In this way, the garden functions as a means to understand and possess the rapidly expanding globe.
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