Living Room Wars : Rethinking Media Audiences
by
Ien Ang
Book Details
Format
Hardback or Cased Book
ISBN-10
0415128005
ISBN-13
9780415128001
Publisher
Taylor & Francis Ltd
Imprint
Routledge
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Dec 7th, 1995
Print length
220 Pages
Weight
570 grams
Product Classification:
TelevisionCultural studiesMedia studies
Ksh 27,900.00
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This brings together Ien Ang's recent writings on television audiences and, in response to recent criticisms of cultural studies, argues that it is possible to study audience pleasures and popular television in a way that is not naively populist.
Living Room Wars brings together Ien Ang''s recent writings on television audiences, and , in response to recent criticisms of cultural studies, argues that it is possible to study audience pleasures and popular television in a way that is not naively populist. Ang examines how the makers and marketers of television attempt to mould their audience and looks at the often unexpected ways in which the viewers actively engage with the programmes they watch.
Living Room Wars highlights the inherent contradictions of a `politics of pleasure'' of television consumption: Ang moves beyond the trditional forcus on textual meanings to explore the structural and historical representations fo television audiences as an integral part of modern culture. Her wide-ranging and illuminating discussion takes in the battle between television and its audiences; the politics of empirical audience research; new technologies and the tactics of television consumption; ethnography and radical contextualism in audience studies; television fiction and women''s fantasy; feminist desire and female pleasure in media consumption, and the transnational media system.
Living Room Wars highlights the inherent contradictions of a `politics of pleasure'' of television consumption: Ang moves beyond the trditional forcus on textual meanings to explore the structural and historical representations fo television audiences as an integral part of modern culture. Her wide-ranging and illuminating discussion takes in the battle between television and its audiences; the politics of empirical audience research; new technologies and the tactics of television consumption; ethnography and radical contextualism in audience studies; television fiction and women''s fantasy; feminist desire and female pleasure in media consumption, and the transnational media system.
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