Longing for Egmond : Gari Melchers and George Hitchcock Their Years in the Netherlands
Book Details
Format
Paperback / Softback
ISBN-10
9462626316
ISBN-13
9789462626317
Publisher
Uitgeverij de Kunst
Imprint
Uitgeverij de Kunst
Country of Manufacture
NL
Country of Publication
GB
Publication Date
Aug 11th, 2025
Print length
128 Pages
Ksh 7,200.00
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In the last quarter of the 19th century, the Netherlands was a popular travel destination for a popular travel destination for artists. The American artists Gari Melchers and George Hitchcock visited the country in the 1880s. This is an overview of the time they spent there.
Beautiful atmospheric 19th paintings of pastoral Belgium by two American artists who lived there.
In the last quarter of the 19th century, the Netherlands was a popular travel destination for artists. The American artists Gari Melchers and George Hitchcock visited the country in the 1880s. In 1884, they settled in Egmond aan Zee, then little more than a small, isolated fishing village. There they painted the life of the people and the landscape. Melchers soon garnered international success with The Sermon, while Hitchcock caused a furore with A Tulip Field. The presence of Melchers and Hitchcock in Egmond exerted a great attraction on professionals. A large crowd of artists traveled to Egmond, especially after Hitchcock in 1891 started his summer courses, which attracted remarkably many female artists. Among the artists who worked there were James Jesuba Shannon, Henri Moret, Florence Upton and Letta Crapo Smith. Longing for Egmond offers an overview of the developments in the Egmond artist colony and the key role played by Hitchcock and Melchers fulfilled there.
In the last quarter of the 19th century, the Netherlands was a popular travel destination for artists. The American artists Gari Melchers and George Hitchcock visited the country in the 1880s. In 1884, they settled in Egmond aan Zee, then little more than a small, isolated fishing village. There they painted the life of the people and the landscape. Melchers soon garnered international success with The Sermon, while Hitchcock caused a furore with A Tulip Field. The presence of Melchers and Hitchcock in Egmond exerted a great attraction on professionals. A large crowd of artists traveled to Egmond, especially after Hitchcock in 1891 started his summer courses, which attracted remarkably many female artists. Among the artists who worked there were James Jesuba Shannon, Henri Moret, Florence Upton and Letta Crapo Smith. Longing for Egmond offers an overview of the developments in the Egmond artist colony and the key role played by Hitchcock and Melchers fulfilled there.
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