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Lydia Panas: Sleeping Beauty
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Lydia Panas: Sleeping Beauty

Book Details

Format Hardback or Cased Book
ISBN-10 173576292X
ISBN-13 9781735762920
Publisher MW Editions
Imprint MW Editions
Country of Manufacture GB
Country of Publication GB
Publication Date Jan 20th, 2022
Print length 112 Pages
Weight 1,136 grams
Dimensions 26.40 x 31.50 x 2.40 cms
Ksh 7,200.00
Werezi Extended Catalogue 0 in stock

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Portraits of women and girls intertwined with the photographer’s gaze, in a rare subversion of photography’s power relationsThis volume presents award-winning Pennsylvania-based photographer Lydia Panas’ (born 1958) much-praised series of mesmerizing color portraits of reclining women and girls. In an interesting reversal of roles, the artist's and models' gazes are intertwined, incorporating the viewer as participant in an often uncomfortable connection. Critics and curators have praised the work for Panas’ artistic and technical mastery, and all have noted and examined the powerfully affecting gaze of her subjects. Panas notes: “While my subjects do in actuality turn their gaze towards me, it’s as if at times I turn the camera onto myself, both in the present and back in time.” In Sleeping Beauty, her subjects lie down, a metaphor for the position girls and women have been placed in historically. But they look out with self-awareness, in a way that implies a lack of complicity.

Portraits of women and girls intertwined with the photographer’s gaze, in a rare subversion of photography’s power relations

This volume presents award-winning Pennsylvania-based photographer Lydia Panas’ (born 1958) much-praised series of mesmerizing color portraits of reclining women and girls. In an interesting reversal of roles, the artist''s and models'' gazes are intertwined, incorporating the viewer as participant in an often uncomfortable connection. Critics and curators have praised the work for Panas’ artistic and technical mastery, and all have noted and examined the powerfully affecting gaze of her subjects. Panas notes: “While my subjects do in actuality turn their gaze towards me, it’s as if at times I turn the camera onto myself, both in the present and back in time.” In Sleeping Beauty, her subjects lie down, a metaphor for the position girls and women have been placed in historically. But they look out with self-awareness, in a way that implies a lack of complicity.


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