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Lygia Clark 1948 - 1958
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Lygia Clark 1948 - 1958

Book Details

Format Paperback / Softback
ISBN-10 8417769277
ISBN-13 9788417769277
Publisher Promopress
Imprint Promopress
Country of Manufacture ES
Country of Publication GB
Publication Date Mar 5th, 2020
Print length 256 Pages
Weight 878 grams
Dimensions 24.40 x 36.60 x 1.30 cms
Product Classification: Individual artists, art monographs
Ksh 6,850.00
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Lygia Clark is primarily remembered for her participation in the Constructivist movement (leading abstract artist at the forefront of the Neo-Concretist movement in Brazil), her innovative approach to modular sculpture and the participatory art that made her a singularly pioneering force in the world of international art. This volume explores her production in the first decade of her career. Clark devoted her time to painting, constantly experimenting and testing new techniques, becoming an important avant-garde figure in Brazil. Her work in these early years oscillated between figuration and abstraction, creating geometric, system- based paintings which will articulate the visual language of her innovative career.

The first thorough examination of Brazilian pioneer Lygia Clark’s early neoconcrete work

One of the key Brazilian participants in Latin America’s revolutionary midcentury concrete and neoconcrete movements, Lygia Clark (1920-88) is known throughout the world for her innovative approach to modular sculpture and forms of participatory art, as well as her paintings and engagement with art as a therapeutic practice.

This volume focuses on the first decade of Clark’s career, during which the artist experimented with new forms of representation based on concrete art’s emphasis on the material character of shapes and colors. Clark’s paintings oscillate between figuration and abstraction, with splinters of jewel-toned triangles and bold black-and-white parallelograms that interlock with one another on square canvases. Readers can follow the precision with which she created her geometrical paintings and identify the visual language of Clark’s practice, which would continue to inform the kinetic sculptures later in her career.


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