Machines Like Us
Book Details
Format
Paperback / Softback
ISBN-10
1938103440
ISBN-13
9781938103445
Publisher
Dzanc Books
Imprint
Dzanc Books
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Mar 8th, 2016
Print length
64 Pages
Weight
104 grams
Dimensions
14.00 x 21.60 x 0.70 cms
Product Classification:
Poetry by individual poets
Ksh 1,450.00
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Machines Like Us is part love story, part dreamscape, part exploration of self. For the characters (Speaker, Boy, and Historian), love is dangerous, disorienting, self-erasing. To understand themselves as individuals, they must investigate the boundaries separating each from the other. Boy finds a spot beneath a tree & stretches outtaking up half of the forest floor. Historian & I have to keep stepping over Boy's limbs & sometimes we step into each other, a pile of Boy & Historian & me. Over the course of the collection, the three struggle to tether and untether. They continuously disturb and upend, externally and internally. They are terrified to be with and without each other. The resulting horror-blood, broken bodies, decomposition-is a landscape, both natural and unnatural, of their glorious failure.
Machines Like Us is part love story, part dreamscape, part exploration of self. For the characters (Speaker, Boy, and Historian), love is dangerous, disorienting, self-erasing. To understand themselves as individuals, they must investigate the boundaries separating each from the other.
Boy finds a spot beneath a tree & stretches out
taking up half of the forest floor. Historian & I
have to keep stepping over Boy’s limbs & sometimes
we step into each other, a pile of Boy & Historian & me.
Over the course of the collection, the three struggle to tether and untether. They continuously disturb and upend, externally and internally. They are terrified to be with and without each other. The resulting horror—blood, broken bodies, decomposition—is a landscape, both natural and unnatural, of their glorious failure.
Boy finds a spot beneath a tree & stretches out
taking up half of the forest floor. Historian & I
have to keep stepping over Boy’s limbs & sometimes
we step into each other, a pile of Boy & Historian & me.
Over the course of the collection, the three struggle to tether and untether. They continuously disturb and upend, externally and internally. They are terrified to be with and without each other. The resulting horror—blood, broken bodies, decomposition—is a landscape, both natural and unnatural, of their glorious failure.
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