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Maeght Universe
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Maeght Universe

Book Details

Format Hardback or Cased Book
ISBN-10 8410024071
ISBN-13 9788410024076
Publisher La Fabrica
Imprint La Fabrica
Country of Manufacture GB
Country of Publication GB
Publication Date Nov 21st, 2024
Print length 112 Pages
Weight 374 grams
Dimensions 24.40 x 17.00 x 1.30 cms
Ksh 7,200.00
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A fruitful visual dialogue between Chillida, his contemporaries and the art dealer who uplifted their idiosyncratic visionsOn the occasion of the centennial of Basque sculptor Eduardo Chillida (1924–2004), Maeght Universe forges a dialogue between Chillida and some of the other artists with whom the historic art dealer Aimé Maeght (1901–81) and his wife, Marguerite, supported: Alexander Calder, Alberto Giacometti, Pablo Palazuelo, Georges Braque, Julio González, Jean Arp, Barbara Hepworth, Antoni Tàpies, Joan Miró and Marc Chagall. The 17 works presented belong to the Fondation Maeght, whose collection of sculptures is one of the most significant in the world. Maeght encouraged the form’s evolution throughout the 20th century, championing modernist artists with distinct, and often contentious, visions. Texts by Isabelle Maeght (the daughter of Aimé and Marguerite), Ingnacio Chillida (the son of Eduardo) and Juan Kruz Igerabide, a Basque arts writer, elaborate on the dual legacy of the sculptor and his dealer.

A fruitful visual dialogue between Chillida, his contemporaries and the art dealer who uplifted their idiosyncratic visions

On the occasion of the centennial of Basque sculptor Eduardo Chillida (1924–2004), Maeght Universe forges a dialogue between Chillida and some of the other artists with whom the historic art dealer Aimé Maeght (1901–81) and his wife, Marguerite, supported: Alexander Calder, Alberto Giacometti, Pablo Palazuelo, Georges Braque, Julio González, Jean Arp, Barbara Hepworth, Antoni Tàpies, Joan Miró and Marc Chagall.
The 17 works presented belong to the Fondation Maeght, whose collection of sculptures is one of the most significant in the world. Maeght encouraged the form’s evolution throughout the 20th century, championing modernist artists with distinct, and often contentious, visions. Texts by Isabelle Maeght (the daughter of Aimé and Marguerite), Ingnacio Chillida (the son of Eduardo) and Juan Kruz Igerabide, a Basque arts writer, elaborate on the dual legacy of the sculptor and his dealer.


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