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Mania for Freedom
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Mania for Freedom : American Literatures of Enthusiasm from the Revolution to the Civil War

Book Details

Format Paperback / Softback
ISBN-10 1469629720
ISBN-13 9781469629728
Publisher The University of North Carolina Press
Imprint The University of North Carolina Press
Country of Manufacture US
Country of Publication GB
Publication Date Oct 31st, 2016
Print length 264 Pages
Weight 476 grams
Dimensions 15.70 x 23.30 x 2.40 cms
Ksh 5,600.00
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In analysing the language of enthusiasm in philosophy, religion, politics, and literature, John Mac Kilgore uncovers a tradition of enthusiasm linked to a politics of emancipation. The dissenting voices chronicled here fought against what they viewed as tyranny while using their writings to forge international or anti-nationalistic political affiliations.
“Nothing great was ever achieved without enthusiasm,” wrote RalphWaldo Emerson in 1841. While this statement may read like an innocuoustruism today, the claim would have been controversial in the antebellumUnited States when enthusiasm was a hotly contested term associated withreligious fanaticism and poetic inspiration, revolutionary politics and imaginativeexcess. In analysing the language of enthusiasm in philosophy, religion,politics, and literature, John Mac Kilgore uncovers a tradition of enthusiasmlinked to a politics of emancipation. The dissenting voices chronicledhere fought against what they viewed as tyranny while using their writings toforge international or antinationalistic political affiliations.

Pushing his analysis across national boundaries, Kilgore contends thatAmerican enthusiastic literature, unlike the era’s concurrent sentimentalcounterpart, stressed democratic resistance over domestic reform as it navigatedthe global political sphere. By analysing a range of canonical Americanauthors—including William Apess, Phillis Wheatley, Harriet Beecher Stowe,and Walt Whitman—Kilgore places their works in context with the causes,wars, and revolutions that directly or indirectly engendered them. In doingso, he makes a unique and compelling case for enthusiasm’s centrality in theshaping of American literary history.

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