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Many Ways to Say It
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Many Ways to Say It

Book Details

Format Paperback / Softback
ISBN-10 1597092428
ISBN-13 9781597092425
Publisher Red Hen Press
Imprint Red Hen Press
Country of Manufacture GB
Country of Publication GB
Publication Date Nov 8th, 2012
Print length 96 Pages
Weight 159 grams
Dimensions 22.80 x 15.20 x 1.00 cms
Product Classification: Poetry by individual poets
Ksh 2,350.00
Re-Printing 0 in stock

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Many Ways to Say It , a collection of lyric poems, is a series of prayers, cries, dispatches, observational records, secret messages, weather reports, daily logs, love poems, trespasses, confessions, letters, and songs. A trained marine biologist, Eva Saulitis uses poetry as a tool to push past the laws of biology--objectivity and detachment-
Many Ways to Say It, a collection of lyric poems, is a series of prayers, cries, dispatches, observational records, secret messages, weather reports, daily logs, love poems, trespasses, confessions, letters, and songs. A trained marine biologist, Eva Saulitis uses poetry as a tool to push past the laws of biology—objectivity and detachment—to get as close as she can get to the harsh inner and outer place she calls home. Though chosen, for her, place requires constant re-negotiation and exploration. Living for more than two decades in coastal Alaska is like an arranged marriage, rife with ambivalence and risk, desire and loss. The poems portray the difficult process of this kind of marriage, of "marrying this chunk of earth / the seasons, mud, and crack-up." Close observation of natural phenomena is both the poetÆs and the biologistÆs method. Thus these poems are dispatches from inner and outer wilderness: white-outs, mountain tops, swamps, muskegs, ecotones, and woods. The lover, a second character in the poems, is human and animal, flesh and mineral, mind and earth, heart and weather. Ultimately, Many Ways to Say It is an unscientific investigation into the wild animal that is the self, its contradictions, urges, demands, and terrors, and its desire for self-definition. But it is only by studying the wild without—through encounters with, say, a moose, a mountain, a coyote, a pond—that the poet comes to terms with the wild, and untouchable, within.

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