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The Cinema of Marguerite Duras : Multisensoriality and Female Subjectivity

By: (Author) Michelle where she teaches French speaking cinema. Her research focuses on 20th and 21st Century c

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Ksh 18,000.00

Format: Hardback or Cased Book

ISBN-10: 1474440541

ISBN-13: 9781474440547

Series: Visionaries: The Work of Women Filmmakers

Publisher: Edinburgh University Press

Imprint: Edinburgh University Press

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Jul 3rd, 2019

Print length: 144 Pages

Product Classification: Film theory & criticism

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Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras’ films, and how they relate to her female-centred perspective.
The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worked with some of the best French visual technicians and musicians of her time, critiques have often neglected the visual and sonic aesthetics of her films, and their effects on spectators. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras'' films, and how they relate to her female-centred perspective.

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