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Marlene Dumas: Open-End
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Marlene Dumas: Open-End

Book Details

Format Paperback / Softback
ISBN-10 125463009Y
ISBN-13 9791254630099
Publisher Marsilio
Imprint Marsilio Arte
Country of Manufacture GB
Country of Publication GB
Publication Date Aug 11th, 2022
Print length 232 Pages
Weight 614 grams
Dimensions 25.10 x 19.30 x 1.90 cms
Product Classification: Individual artists, art monographs
Ksh 5,050.00
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A concise and affordable overview of Dumas’ existential portraiture, with previously unseen worksAn engrossing compendium of more than 100 works from 1984 to the present day by South African painter Marlene Dumas (born 1954), Open-End offers a selective overview of her career to date, and a first look at pieces created over the course of the last few years. Of her work, Dumas says: “I am an artist who uses second-hand images and first-hand emotions.” While in the early years of her career she was known for her collages and accompanying texts, today Dumas works chiefly in oil on canvas and ink on paper. The majority of her production is made up of portraits of people in states of suffering, ecstasy, fear and despair. A crucial moment in the development of Dumas’ style came with her use of images from newspapers and magazines, stills from films and Polaroids. Open-End brings together pieces from international museums and private collections to provide new insight into Dumas’ work and methods.

A concise and affordable overview of Dumas’ existential portraiture, with previously unseen works

An engrossing compendium of more than 100 works from 1984 to the present day by South African painter Marlene Dumas (born 1954), Open-End offers a selective overview of her career to date, and a first look at pieces created over the course of the last few years.
Of her work, Dumas says: “I am an artist who uses second-hand images and first-hand emotions.” While in the early years of her career she was known for her collages and accompanying texts, today Dumas works chiefly in oil on canvas and ink on paper. The majority of her production is made up of portraits of people in states of suffering, ecstasy, fear and despair. A crucial moment in the development of Dumas’ style came with her use of images from newspapers and magazines, stills from films and Polaroids.
Open-End brings together pieces from international museums and private collections to provide new insight into Dumas’ work and methods.


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