Martin Werthmann : Catastrophe as Space
Book Details
Format
Hardback or Cased Book
ISBN-10
3777437166
ISBN-13
9783777437163
Publisher
Hirmer Verlag
Imprint
Hirmer Verlag
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jul 8th, 2021
Print length
168 Pages
Weight
1,220 grams
Product Classification:
Art & design styles: from c 1960Individual artists, art monographs
Ksh 5,550.00
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Martin Werthmann (*1982) is one of the most prominent artists worldwide to make an intensive study of the woodcut as a genre. His monumental colour woodcuts, executed on large widths of paper, enchant by means of his radically new language of forms and aesthetics, which puts the vague and diffuse in the center of attention. Werthmann’s more recent works are based on structures and elements from photographs of attacks and acts of war. In numerous superimposed layers he translates them into the medium of the woodcut and thus creates pictorial spaces which are full of tension and as they hover between beauty and violence. With a particular focus on the SILENCE series this volume presents for the first time a comprehensive overview of the impressive work of this Berlin-based artist.
A remarkable volume of works by a contemporary master of the woodcut.
Martin Werthmann is one of the most prominent living artists to make an intensive study of the woodcut as a genre. His monumental color woodcuts, printed on large swaths of paper, enchant through his radically new language of form and aesthetics, which privileges ambiguity and uncertainty. Werthmanns most recent works are based on elements from photographs of brutality and war. In numerous superimposed layers, he translates them into the medium of the woodcut and creates images full of tension as they hover between beauty and violence. With a particular focus on the Silence series, this volume presents a comprehensive overview of the impressive work of this Berlin-based artist for the first time.
Martin Werthmann is one of the most prominent living artists to make an intensive study of the woodcut as a genre. His monumental color woodcuts, printed on large swaths of paper, enchant through his radically new language of form and aesthetics, which privileges ambiguity and uncertainty. Werthmanns most recent works are based on elements from photographs of brutality and war. In numerous superimposed layers, he translates them into the medium of the woodcut and creates images full of tension as they hover between beauty and violence. With a particular focus on the Silence series, this volume presents a comprehensive overview of the impressive work of this Berlin-based artist for the first time.
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