Material Selves : Object Biographies and Identities in Motion
Book Details
Format
Paperback / Softback
Book Series
Material Culture of Art and Design
ISBN-10
1350416487
ISBN-13
9781350416482
Publisher
Bloomsbury Publishing PLC
Imprint
Bloomsbury Visual Arts
Country of Manufacture
GB
Country of Publication
GB
Publication Date
May 28th, 2026
Print length
256 Pages
Weight
400 grams
Dimensions
23.20 x 15.40 x 1.60 cms
Ksh 6,000.00
Manufactured on Demand
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What do Persian robes of honour, 20th-century still-life painting, fur garments, and 18th-century porcelain all have in common? Prized, possessed and modelled, they highlight the deep connections we share with cultural objects.
Establishing new connections between people and things via artistic media and material culture, this highly interdisciplinary volume brings together both established and emerging scholars in the fields of art history, material culture, museum and heritage studies and literary studies to investigate the intersection of the personal with the material.
Raising vital questions of cultural identity, belonging and selfhood, Material Selvesis the first book of its kind to consider the relationship between people and things across transcultural and transhistorical contexts. It employs innovative methodologies across ten chapters and critically expands on current models for understanding the dynamic relationship between people and things by tracing the central role objects have played in the construction, creation and performance of identity throughout history.
Structured around four key sections exploring biography and narrative; adornment and ornament; reclamation and intervention; and subjects and objects, the volume presents a global selection of case studies that explore, amongst other things, Margaret Olley''s enduring fame, the significance of the Khil''a in Safavid Persia and early modern Europe, and 17th-century French painter Charles LeBrun''s royal portraiture. Fusing these with contemporary theories of identity, the contributors provide analyses informed by posthumanism, the environmental humanities, race and gender. At the same time, they confront vital questions of identity, agency, and materiality, and highlight the way in which we use objects to tell stories, construct myths and make sense of our place in the world. In doing so, the book illuminates a wide range of cultural and chronological settings whilst giving close attention to the mobility of people and things between, across, and through time and place.
Establishing new connections between people and things via artistic media and material culture, this highly interdisciplinary volume brings together both established and emerging scholars in the fields of art history, material culture, museum and heritage studies and literary studies to investigate the intersection of the personal with the material.
Raising vital questions of cultural identity, belonging and selfhood, Material Selvesis the first book of its kind to consider the relationship between people and things across transcultural and transhistorical contexts. It employs innovative methodologies across ten chapters and critically expands on current models for understanding the dynamic relationship between people and things by tracing the central role objects have played in the construction, creation and performance of identity throughout history.
Structured around four key sections exploring biography and narrative; adornment and ornament; reclamation and intervention; and subjects and objects, the volume presents a global selection of case studies that explore, amongst other things, Margaret Olley''s enduring fame, the significance of the Khil''a in Safavid Persia and early modern Europe, and 17th-century French painter Charles LeBrun''s royal portraiture. Fusing these with contemporary theories of identity, the contributors provide analyses informed by posthumanism, the environmental humanities, race and gender. At the same time, they confront vital questions of identity, agency, and materiality, and highlight the way in which we use objects to tell stories, construct myths and make sense of our place in the world. In doing so, the book illuminates a wide range of cultural and chronological settings whilst giving close attention to the mobility of people and things between, across, and through time and place.
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