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Materiality and Devotion in the Poetry of George Herbert
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Materiality and Devotion in the Poetry of George Herbert

Book Details

Format Hardback or Cased Book
ISBN-10 0198874405
ISBN-13 9780198874409
Publisher Oxford University Press
Imprint Oxford University Press
Country of Manufacture GB
Country of Publication GB
Publication Date Jan 11th, 2024
Print length 344 Pages
Weight 662 grams
Dimensions 24.00 x 16.00 x 2.00 cms
Ksh 16,600.00
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This book uses textual and material evidence -- in poetry, prayers, physiologies, sermons, church buildings and monuments, manuscript diaries and notebooks -- to explore how material things held spiritual meaning in George Herbert's poetry, and to reflect on scholarly approaches to matter and form in devotional poetry.
George Herbert, his contemporaries, and readers inhabited a world of material things that were spiritually animated but deeply troubling. Habitual providential and typological interpretation imbued matter with meaning, and connected it with the rest of Creation; using material things was an act of interpretation, devotion an act of habitual reading. Materialist philosophies rejected distinctions between body and soul; injunctions to continuous prayer made every place and every bodily motion a potential house of and vehicle for prayer. At the same time Protestant doctrine and Church of England policy, expressed in sermons, visitation articles and works of theology as well as devotional manuals, prayer books and even physiologies and biographies, policed the ways and conditions in which material things, bodies, and spaces might be properly used in devotion. Herbert''s Temple is built, read, and used in this world of continual textual and material ''reading''. By a close reading of The Temple, this book explores how Herbert and his readers understood, experienced, and used material objects in devotion. The Temple is an edifice built of paper and ink, of Biblical allusion, and of analogy to both physical churches and spiritual communities of believers: a material and spiritual, literal, and figurative construction. In his verse, Herbert plays with the boundaries between material and spiritual presence, and between literal and figurative signification; in its devotional poetics material and spiritual meanings inform one another and its readers'' devotional lives. Materiality and Devotion in the Poetry of George Herbert focuses in turn on three of the most significant kinds of material things seventeenth-century English believers encountered in devotion: their bodies, church buildings, and books.

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