Me, Myself, I : Artists’ Self-Portraits

Self-portraiture traditionally was achieved through the use of mirrors; now it offers us a mirror on society across the centuries – what was acceptable, important, fashionable or needed to be de-bunked. This volume accompanies a compelling landmark exhibition bringing historical context to today’s ‘selfie culture’.

Me, Myself, I – Artists’ Self-Portraits explores self-portraiture by artists based in Britain between 1722 and 2022. It discusses the ways and traditions through which artists have presented themselves and how the genre has increasingly offered the means to take control and re-present oneself, often challenging society to re-think its social mores. It will provide an illuminating overview and contextual backstory to our current interest in self-representation and the selfie. Self-portraits can go beyond the professional towards the personal, with self-examination offering both analysis and psychoanalysis. Some artists have made multiple self-portraits over time, reflecting on how we are subject to change. Others have explored issues they have identified with, including the agency of women or the breaking of taboos around sexuality. Self-portraiture has also been a way of promoting oneself, ensuring artistic survival and long-term recognition. Since the 1940s it has played an important role for artists in expressing the complexities of identity and post-colonialism in Britain.