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Media and the Empire

By: (Edited by) Donal McCracken , (Edited by) Ruth Teer-Tomaselli

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Ksh 26,100.00

Format: Hardback or Cased Book

ISBN-10: 1138184322

ISBN-13: 9781138184329

Publisher: Taylor & Francis Ltd

Imprint: Routledge

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Feb 17th, 2016

Print length: 216 Pages

Weight: 544 grams

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This volume on print and broadcast media in the 19th and 20th centuries highlights the pivotal role that the media played in the establishment and maintenance of imperial power, bolstering the ideological and financial objectives of the empire in a myriad of ways. Covering diverse topics from British Imperial and colonial newspapers, to radio broadcasting during the World Wars, the book shows how the media forms a prism through which the personal and public histories of an empire can be explored. This book was originally published as a special issue of Critical Arts.

This volume on print and broadcast media in the 19th and 20th centuries highlights the pivotal role that the media played in the establishment and maintenance of imperial power. The media bolstered both the ideological and financial objectives of the empire in a myriad of overt, covert, and downright scandalous ways.

From jeopardising the introduction of wireless telegraphy in order to maximise the financial gains of the investors of under-sea cabling, to newspaper proprietors cashing in on the thrilling, wonderful (and sometimes fabricated) adventures of war correspondents in exotic lands, the media has had a constant background influence in the public’s perception of empire.

By covering diverse topics from Anthony Lejeune’s radio talk-show ‘London Letters’ – which supported the Allies by boosting morale and providing a link between soldiers fighting abroad and their families during both World Wars, to the complete subversion of imperial influence – as in the case of the proliferation of diverse media platforms being used by migrant communities in Britain as a means to promote ‘colonization in reverse’, the book hints at the politics, suspense, and intrigue of both the print and broadcast sectors. This book was originally published as a special issue of Critical Arts.


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