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Media Experiences
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Media Experiences : Engaging with Drama and Reality Television

Book Details

Format Hardback or Cased Book
ISBN-10 0415625351
ISBN-13 9780415625357
Publisher Taylor & Francis Ltd
Imprint Routledge
Country of Manufacture GB
Country of Publication GB
Publication Date Oct 17th, 2018
Print length 224 Pages
Weight 476 grams
Dimensions 16.40 x 24.20 x 1.50 cms
Product Classification: Cultural studiesTV & society
Ksh 30,600.00
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A major change to the business of media over the past decade is the global production and distribution of drama and reality entertainment formats for television and digital media. This book draws on production and audience practices for international formats.

Media Experiences: Engaging with Drama and Reality Television travels across people and popular culture, exploring the pathways to engagement and the various ways in which we shape and are shaped by the media landscapes in which we move. This exploration includes the voices and bodies, sights and sounds of audiences as they experience entertainment through television drama, reality TV, at live events, and within digital television itself as actors, participants and producers. It is about the people who create the drama, live events and reality entertainment that we experience. This book traverses the relationships between producers and audiences in shared places of a media imagination.

Annette Hill’s research draws on interviews and observations with over 500 producers and audience members to explore cultures of viewing across different genres, such as Nordic noir crime drama The Bridge, cult conspiracy thriller Utopia, and reality television audiences and participants in global formats MasterChef and Got to Dance. The research highlights how trends such as multi-screening, catch up viewing, amateur media and piracy work alongside counter-trends in retro television viewing where people relish the social ritual of watching live television, or create a social media blackout for immersive viewing.

Media Experiences bridges the divide between industry and academia, highlighting how producers and audiences co-create, shape and limit experiences within emerging mediascapes.


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