Memory and Modernity – Viollet–le–Duc at Vézelay : Viollet-le-Duc at Vezelay
Book Details
Format
Hardback or Cased Book
ISBN-10
027101850X
ISBN-13
9780271018508
Publisher
Pennsylvania State University Press
Imprint
Pennsylvania State University Press
Country of Manufacture
US
Country of Publication
GB
Publication Date
Dec 1st, 1999
Print length
216 Pages
Weight
592 grams
Dimensions
16.20 x 24.80 x 1.90 cms
Product Classification:
History of art: Byzantine & Medieval art c 500 CE to c 1400History of artIndividual architects & architectural firmsIndividual architects and architectural firmsEuropean historyModern history to 20th century: c 1700 to c 1900Sociology & anthropologySociology and anthropologyHistoryEuropean history
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This text is a study of the restoration of the Romanesque church of the Madeleine at Vezelay, the first project of the reknowned 19th-century French architect E. E. Viollet-le-Duc. The book looks at the political and architectural implications of the project.
Memory and Modernity focuses on the first project of the renowned nineteenth-century French architect and theorist Eugene-Emmanuel Viollet-le-Duc, the restoration of the Romanesque church of the Madeleine at Vezelay in Burgundy. This is the first book-length study to approach the work of Viollet-le-Duc from the perspective of institutional and social history. Kevin D. Murphy situates the Vezelay restoration project within the government architectural bureaucracy that emerged in the July Monarchy. Drawing on extensive archival records, he describes the controversy that arose from the restoration process, as changes in the physical form of the church, its permitted uses, and its place in history provoked heated exchanges among the Burgundy region and Paris, the Catholic clergy and government officials. Examining in detail the architect's transformation of the church of the Madeleine, the book also draws out the implications of the project for understanding Viollet-le-Duc's theoretical development. Murphy shows how Viollet-le-Duc's rationalist interpretation of medieval architecture informed the decisions that were made about the restoration, but also how that way of thinking was influenced by the architect's experience at Vezelay.
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