METAMORPHOSIS
by
Anne Brugni
Book Details
Format
Paperback / Softback
ISBN-10
236582014X
ISBN-13
9782365820141
Publisher
Shelter Press
Imprint
Shelter Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jan 1st, 2015
Print length
32 Pages
Weight
128 grams
Dimensions
20.20 x 26.20 x 0.90 cms
Product Classification:
The arts
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Mottled sausages, icy landscapes with worms that seem to have died trying to make it over hurdles, portals to impossible lands: welcome to the accidental world of Anne Brugni. METAMORPHOSIS is a period piece of a work in progress, a cross section of ideas that eliminates a good quantity of works already made, and ignores the future. It is not a “best of”. The book itself is made in the same manner of the works displayed within: using instinct, not too much revision (but revision nonetheless) and just enough material to give a glimpse of a narrative without becoming redundant or conclusive. The primary question that the work makes us pose is: WHAT? What does this represent? What is this material? What is going on? Therein lies the attraction, for the work is not for curious people, it makes people curious. It demands us to ask questions, to question it and ourselves at the same time. Sure the material is profane: simply paper & clay (if boiled down to the bare essentials). But the treatment, the textures and compositions give us clues to a mania, a research, an exploration that is flabbergasting.
Mottled sausages, icy landscapes with worms that seem to have died trying to make it over hurdles, portals to impossible lands: welcome to the accidental world of Anne Brugni. METAMORPHOSIS is a period piece of a work in progress, a cross section of ideas that eliminates a good quantity of works already made, and ignores the future. It is not a “best of”. The book itself is made in the same manner of the works displayed within: using instinct, not too much revision (but revision nonetheless) and just enough material to give a glimpse of a narrative without becoming redundant or conclusive. The primary question that the work makes us pose is: WHAT? What does this represent? What is this material? What is going on? Therein lies the attraction, for the work is not for curious people, it makes people curious. It demands us to ask questions, to question it and ourselves at the same time. Sure the material is profane: simply paper & clay (if boiled down to the bare essentials). But the treatment, the textures and compositions give us clues to a mania, a research, an exploration that is flabbergasting.
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