Michael Collins: Pictures from the Hoo Peninsula
by
R. Leverdier
Book Details
Format
Hardback or Cased Book
ISBN-10
3862064905
ISBN-13
9783862064908
Publisher
DruckVerlag Kettler
Imprint
DruckVerlag Kettler
Country of Manufacture
DE
Country of Publication
GB
Publication Date
Apr 4th, 2017
Print length
112 Pages
Weight
692 grams
Dimensions
25.30 x 23.10 x 1.90 cms
Product Classification:
Photography & photographs
Ksh 6,500.00
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Quality
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The photographer Michael Collins, armed with a large-format camera, has spent years discovering traces of the past contained in the marshland landscapes just outside of London. The Hoo Peninsula is situated between the estuaries of the rivers Thames and Medway, one hour by car from central London. This narrow stretch of land is mainly made up of sand and clay hills. Nature there seems strangely inanimate, and the landscape is full of contrasts.But technology and industry are encroaching on the grazing sheep, the saltmarsh and the mud flats. Pylons dot the wilderness, in which shipwrecks have become an integral part of the scenery. Michael Collins visited the Hoo peninsula over several years, producing pictures inspired by the landscapes of ''plein air'' painting. With their rich details, they deliberately follow the tradition of nineteenth century record pictures - archival images that were commissioned by the government to document the progress of industrialisation.Text in English and German.
. An intriguing evocation of London's past through its present . Examines the rarely-travelled areas of marshland on London's outskirts, documenting their gradual urbanisation The photographer Michael Collins, armed with a large-format camera, has spent years discovering traces of the past contained in the marshland landscapes just outside of London. The Hoo Peninsula is situated between the estuaries of the rivers Thames and Medway, one hour by car from central London. This narrow stretch of land is mainly made up of sand and clay hills. Nature there seems strangely inanimate, and the landscape is full of contrasts.But technology and industry are encroaching on the grazing sheep, the saltmarsh and the mud flats. Pylons dot the wilderness, in which shipwrecks have become an integral part of the scenery. Michael Collins visited the Hoo peninsula over several years, producing pictures inspired by the landscapes of 'plein air' painting. With their rich details, they deliberately follow the tradition of nineteenth century record pictures - archival images that were commissioned by the government to document the progress of industrialisation. Text English and German
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