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Michael Jackson and the Blackface Mask

By: (Author) Harriet J. Manning

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Ksh 8,800.00

Format: Paperback / Softback

ISBN-10: 1138274283

ISBN-13: 9781138274280

Series: Ashgate Popular and Folk Music Series

Publisher: Taylor & Francis Ltd

Imprint: Routledge

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Sep 9th, 2016

Print length: 204 Pages

Weight: 322 grams

Dimensions (height x width x thickness): 15.60 x 23.30 x 1.60 cms

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Harriet Manning argues that the nineteenth-century blackface minstrelsy’s legacy is nowhere more evident than with Michael Jackson, in whom minstrelsy’s gestures and tropes are embedded. The author further contends that minstrelsy’s assumptions and uses have been fundamental to the troubles and controversies with which Jackson was beset. Blackface minstrelsy continues to permeate contemporary popular music and its audience. The body of contradiction behind the blackface mask provides an effective approach to try to understand Jackson, a cultural figure about whom more questions than answers have been generated.
Blackface minstrelsy, the nineteenth-century performance practice in which ideas and images of blackness were constructed and theatricalized by and for whites, continues to permeate contemporary popular music and its audience. Harriet J. Manning argues that this legacy is nowhere more evident than with Michael Jackson in whom minstrelsy’s gestures and tropes are embedded. During the nineteenth century, blackface minstrelsy held together a multitude of meanings and when black entertainers took to the stage this complexity was compounded: minstrelsy became an arena in which black stereotypes were at once enforced and critiqued. This body of contradiction behind the blackface mask provides an effective approach to try and understand Jackson, a cultural figure about whom more questions than answers have been generated. Symbolized by his own whiteface mask, Jackson was at once ’raced’ and raceless and this ambiguity allowed him to serve a whole host of others’ needs - a function of the mask that has run long and deep through its tortuous history. Indeed, Manning argues that minstrelsy’s assumptions and uses have been fundamental to the troubles and controversies with which Jackson was beset.

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