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Mickalene Thomas - I Can't See You Without Me
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Mickalene Thomas - I Can't See You Without Me

Book Details

Format Paperback / Softback
ISBN-10 1881390578
ISBN-13 9781881390572
Publisher Wexner Center for the Arts
Imprint Wexner Center for the Arts
Country of Manufacture GB
Country of Publication GB
Publication Date Jan 3rd, 2019
Print length 128 Pages
Weight 130 grams
Dimensions 17.80 x 11.20 x 1.40 cms
Product Classification: Individual artists, art monographs
Ksh 6,300.00
Re-Printing 0 in stock

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Deconstructing the charged connections between sitter, artist and viewerPresenting paintings of some of the artist's key models and muses, I Can't See You Without Me illuminates the work of Brooklyn painter Mickalene Thomas (born 1971). Culling from art history and popular culture, Thomas creates scintillating portraits that deconstruct the highly charged connections between sitter, artist and viewer. Whether depicted as classically composed 19th-century odalisques, Afro-adorned vixens of blaxploitation films or as a powerful maternal figure yearning for social mobility, the recurring models in Thomas' compositions (almost exclusively women of color) convey a spirit of strength and self-confidence. Across this archetypal array, it is both their contradictions and kinships that make the black female body such fertile terrain for the artist's ongoing investigations. By casting herself, her late mother and other formidable women in her life as models, muses and collaborators, Thomas particularizes her distinctive oeuvre of portraiture. Focused yet expansive, the catalog both reasserts and further contextualizes issues of identity, sexuality and agency in Thomas' work that have only become more nuanced and palpable over time.

Deconstructing the charged connections between sitter, artist and viewer

Presenting paintings of some of the artist''s key models and muses, I Can''t See You Without Me illuminates the work of Brooklyn painter Mickalene Thomas (born 1971). Culling from art history and popular culture, Thomas creates scintillating portraits that deconstruct the highly charged connections between sitter, artist and viewer. Whether depicted as classically composed 19th-century odalisques, Afro-adorned vixens of blaxploitation films or as a powerful maternal figure yearning for social mobility, the recurring models in Thomas'' compositions (almost exclusively women of color) convey a spirit of strength and self-confidence. Across this archetypal array, it is both their contradictions and kinships that make the black female body such fertile terrain for the artist''s ongoing investigations. By casting herself, her late mother and other formidable women in her life as models, muses and collaborators, Thomas particularizes her distinctive oeuvre of portraiture. Focused yet expansive, the catalog both reasserts and further contextualizes issues of identity, sexuality and agency in Thomas'' work that have only become more nuanced and palpable over time.


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