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Millie Wilson: The Museum of Lesbian Dreams
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Millie Wilson: The Museum of Lesbian Dreams

Book Details

Format Paperback / Softback
ISBN-10 1941753752
ISBN-13 9781941753750
Publisher Inventory Press LLC
Imprint Inventory Press LLC
Country of Manufacture GB
Country of Publication GB
Publication Date Jul 3rd, 2025
Print length 192 Pages
Weight 1,002 grams
Dimensions 21.30 x 30.10 x 2.10 cms
Ksh 6,850.00
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The first retrospective monograph for a legendary feminist artist and pedagogue who taught generations of artists at CalArtsAccompanying the first retrospective exhibition showcasing three decades of work from Millie Wilson (born 1948), this publication delves into the influential, yet under-recognized, artist and educator whose work has deftly examined feminism, queerness and their historical erasure from art institutions. Her work joins 1980s postmodernism with the personally and politically charged conceptualism of the 1990s, reflecting a particularly unruly conception of queerness that emerged in California during these decades. The catalog highlights Wilson’s appropriation of museum display practices and institutional authority, her art historical references to Dada and Surrealism, her sharp attention to gendered portrayals of sexual deviance in early 20th-century psychoanalysis and sexology, and her long-standing interest in bodies as contested sites. It also features newly commissioned scholarly essays by curator David Evans Frantz and scholar Jill H. Casid, a conversation among artists who studied with Wilson, and extensive new photographic documentation of Wilson’s work. This book was published in conjunction with Krannert Art Museum

The first retrospective monograph for a legendary feminist artist and pedagogue who taught generations of artists at CalArts

Accompanying the first retrospective exhibition showcasing three decades of work from Millie Wilson (born 1948), this publication delves into the influential, yet under-recognized, artist and educator whose work has deftly examined feminism, queerness and their historical erasure from art institutions. Her work joins 1980s postmodernism with the personally and politically charged conceptualism of the 1990s, reflecting a particularly unruly conception of queerness that emerged in California during these decades. The catalog highlights Wilson’s appropriation of museum display practices and institutional authority, her art historical references to Dada and Surrealism, her sharp attention to gendered portrayals of sexual deviance in early 20th-century psychoanalysis and sexology, and her long-standing interest in bodies as contested sites. It also features newly commissioned scholarly essays by curator David Evans Frantz and scholar Jill H. Casid, a conversation among artists who studied with Wilson, and extensive new photographic documentation of Wilson’s work.

This book was published in conjunction with Krannert Art Museum


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