Minoan Wall Painting of Pseira, Crete : A Goddess Worshipped in the Shrine
Book Details
Format
Paperback / Softback
ISBN-10
193153439X
ISBN-13
9781931534390
Publisher
INSTAP Academic Press
Imprint
INSTAP Academic Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jan 31st, 2025
Print length
116 Pages
Weight
344 grams
Dimensions
25.60 x 18.10 x 0.80 cms
Product Classification:
Archaeology by period / regionArchaeology by period / region
Ksh 5,400.00
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This study of a fragmentary wall painting from the Minoan shrine on the islet of Pseira, located just off the northeastern coast of Crete, reveals a large-scale goddess facing a smaller suppliant in a presentation scene on an incurved altar platform; its style and technique argue for a strong Knossian religious presence at Pseira.
Short description: Evidence is presented for restoring the fragmentary wall painting from the Minoan shrine on the islet of Pseira located just of the northeastern coast of Crete. A large-scale goddess faces a smaller suppliant in a presentation scene on an incurved altar platform. Virtually restored to the east wall of Room 6, the goddess confirms the building as a shrine and religious center of the community. The painting''s Knossian style and technique, and imported Knossian ritual vessels, argue for a strong Knossian religious presence at Pseira. Long description: This study presents evidence for restoring the fragmentary painting from Pseira. It argues against previous reconstructions, finding errors including ignoring the fragments'' scales. With the fragments'' scales accurately recorded, the study reveals a large-scale goddess facing a smaller suppliant in a presentation scene on an incurved altar platform. The reconstruction is based on examinations, drawings, and photographs taken to scale of the fragments and digital imaging. The painted garments are translated into modern cloth replicas that adorn live models that pose as goddess and suppliant. Virtually restored to the east wall of Room 6, the goddess positively establishes the building already conjectured as a shrine and identifies it as the religious center of the community. The painting''s Knossian style and technique, and imported Knossian ritual vessels, argue for a strong Knossian religious presence at Pseira. Knossian style religious processions likely culminated at the shrine to present offerings to the goddess.
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