Modern Nostalgia : Siegfried Sassoon, Trauma and the Second World War
Book Details
Format
Hardback or Cased Book
ISBN-10
0748633065
ISBN-13
9780748633067
Publisher
Edinburgh University Press
Imprint
Edinburgh University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jul 4th, 2008
Print length
168 Pages
Product Classification:
Literary studies: from c 1900 -Literary studies: poetry & poets
Ksh 18,000.00
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This book explores Siegfried Sassoon's writing of the twenties, thirties and forties, demonstrating the connections between trauma and nostalgia in a culture saturated with the anxieties of war.
This book explores Siegfried Sassoon''s writing of the twenties, thirties and forties, demonstrating the connections between trauma and nostalgia in a culture saturated with the anxieties of war.
Informed by the texts of Freud, W. H. R. Rivers and other psychological writers of the early twentieth century, as well as contemporary theorists of nostalgia and trauma, this book examines the pathology of nostalgia conveyed in Sassoon''s unpublished poems, letters and journals, together with his published work. It situates his ongoing anxiety about ''Englishness'', modernity, and his relation to modernist aesthetics, within the context of other literary responses to the legacy of war, and the threat of war''s return, by writers including Edmund Blunden, Robert Graves and T. E. Lawrence.
This study teases out the relationship between nostalgia, trauma and autobiography, and forges connections between the literatures of the two world wars. As a case study of modern nostalgia, this book offers an alternative to the perception that Sassoon''s historical and cultural relevance touches the First World War only.
Informed by the texts of Freud, W. H. R. Rivers and other psychological writers of the early twentieth century, as well as contemporary theorists of nostalgia and trauma, this book examines the pathology of nostalgia conveyed in Sassoon''s unpublished poems, letters and journals, together with his published work. It situates his ongoing anxiety about ''Englishness'', modernity, and his relation to modernist aesthetics, within the context of other literary responses to the legacy of war, and the threat of war''s return, by writers including Edmund Blunden, Robert Graves and T. E. Lawrence.
This study teases out the relationship between nostalgia, trauma and autobiography, and forges connections between the literatures of the two world wars. As a case study of modern nostalgia, this book offers an alternative to the perception that Sassoon''s historical and cultural relevance touches the First World War only.
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