Modernism and Magic : Experiments with Spiritualism, Theosophy and the Occult
by
Leigh Wilson
Book Details
Format
Paperback / Softback
Book Series
Edinburgh Critical Studies in Modernist Culture
ISBN-10
0748627707
ISBN-13
9780748627707
Publisher
Edinburgh University Press
Imprint
Edinburgh University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Oct 1st, 2015
Print length
224 Pages
Weight
336 grams
Dimensions
23.50 x 15.80 x 1.60 cms
Product Classification:
Literary studies: generalTheosophy & AnthroposophySpiritualismOccult studies
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Wilson explores the aesthetic and political implications of the relationship between magic and mimesis in the work of writers, artists and filmmakers who were most self-consciously experimental, including James Joyce, Ezra Pound, Dziga Vertov and Sergei M. Eisenstein.
While modernism''s engagement with the occult has been approached by critics as the result of a loss of faith in representation, an attempt to draw on science as the primary discourse of modernity, or as a hidden history of ideas, Leigh Wilson argues that these discourses have at their heart a magical practice which remakes the relationship between world and representation. As Wilson demonstrates, the courses of the occult are based on a magical mimesis which transforms the nature of the copy, from inert to vital, from dead to alive, from static to animated, from powerless to powerful.
Wilson explores the aesthetic and political implications of this relationship in the work of those writers, artists and filmmakers who were most self-consciously experimental, including James Joyce, Ezra Pound, Dziga Vertov and Sergei M. Eisenstein.
Wilson explores the aesthetic and political implications of this relationship in the work of those writers, artists and filmmakers who were most self-consciously experimental, including James Joyce, Ezra Pound, Dziga Vertov and Sergei M. Eisenstein.
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