Moving in Memory : Poems
Book Details
Format
Paperback / Softback
ISBN-10
0807113883
ISBN-13
9780807113882
Publisher
Louisiana State University Press
Imprint
Louisiana State University Press
Country of Manufacture
US
Country of Publication
GB
Publication Date
Mar 1st, 1987
Print length
277 Pages
Dimensions
23.00 x 14.00 x 0.50 cms
Product Classification:
Poetry / poems by individual poetsPoetry by individual poets
Ksh 2,700.00
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Julia Randall's sixth volume of poems, explores our relationship to nature, to art, and to our past selves. In these poems, Randall's familiar terrain, the woods, streams, and fields of Maryland, becomes our own.
Moving in Memory, Julia Randall's sixth volume of poems, explores our relationship to nature, to art, and to our past selves. In these poems, Randall's familiar terrain, the woods, streams, and fields of Maryland, becomes our own. She takes us ""through the fields/ of Queen Anne's Lace and clover,"" through woods filled with rock maple and sassafras, to places she discovered as a child.
I am Piedmont born and bred
between far hills and sea,
great hardwoods overhead,
and waters gently
falling down the Bay
But these poems also express Randall's uneasiness with trying to exist in a world increasingly divorced from nature. They spring from a sensibility that pits memory and its recovery in art against the encroachments of commerce and technology.
What shall restore
cedar and sycamore, sweet springs,
the secrets of the forest floor, where now
backhoes and scaffoldings
and gray computers set us free
to manufacture loves and lifeless things
along the steely groves where no bird
sings?
Unmistakably a lyric poet, Randall varies traditional forms in a way that is both reminiscent and original. Her musicality often surprises us into the recognition that poems can still sound like poems. In writing about place, memory, aging, and loss, Julia Randall displays a wide-ranging intelligence, a keen eye, and a necessary anger, as well as joy, humor, and acceptance.
I am Piedmont born and bred
between far hills and sea,
great hardwoods overhead,
and waters gently
falling down the Bay
But these poems also express Randall's uneasiness with trying to exist in a world increasingly divorced from nature. They spring from a sensibility that pits memory and its recovery in art against the encroachments of commerce and technology.
What shall restore
cedar and sycamore, sweet springs,
the secrets of the forest floor, where now
backhoes and scaffoldings
and gray computers set us free
to manufacture loves and lifeless things
along the steely groves where no bird
sings?
Unmistakably a lyric poet, Randall varies traditional forms in a way that is both reminiscent and original. Her musicality often surprises us into the recognition that poems can still sound like poems. In writing about place, memory, aging, and loss, Julia Randall displays a wide-ranging intelligence, a keen eye, and a necessary anger, as well as joy, humor, and acceptance.
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