Mozart - Eine Herausforderung Fuer Literatur und Denken Mozart - A Challenge for Literature and Thought : Unter Mitarbeit von Carly McLaughlin
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Book Details
Format
Paperback / Softback
ISBN-10
3039111779
ISBN-13
9783039111770
Edition
New
Publisher
Verlag Peter Lang
Imprint
Verlag Peter Lang
Country of Manufacture
CH
Country of Publication
GB
Publication Date
Jul 6th, 2007
Print length
360 Pages
Weight
562 grams
Dimensions
15.20 x 22.50 x 2.20 cms
Product Classification:
Theory of music & musicologyLiterary studies: general
Ksh 19,400.00
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Schon zu seinen Lebzeiten, verstärkt aber in der Romantik und bis in die Gegenwart, hat Mozarts Leben und Werk Schriftsteller und Philosophen zu produktiver Auseinandersetzung angeregt. Zentraler Ausgangspunkt für die poetisch-intellektuelle Rezeption Mozarts war wiederholt sein Don Giovanni, aber auch seine das Geniehafte prototypisch symbolisierende Persönlichkeit. Dieser Band, der aus einer am Queen Mary College der University of London im April 2006 abgehaltenen Tagung hervorgegangen ist, vereinigt exemplarische Studien dieser literar-philosophischen, aber auch musik- und kulturkritischen Arbeit am Mozart-Mythos und seiner (versuchten) Entzauberung.
Already during his lifetime but even more so during Romanticism and up to the present day writers and philosophers have been inspired by Mozart’s life and work. Don Giovanni has repeatedly served as the central starting point for such poetic and intellectual engagement but also the composer’s personality which epitomizes the notion of the genius-artist. This volume contains the proceedings of a conference held at Queen Mary College, University of London, in April 2006. The contributors discuss the Mozart myth with regard to its literary, philosophical and cultural implications as well as its attempted disenchantment.
Already during his lifetime but even more so during Romanticism and up to the present day writers and philosophers have been inspired by Mozart’s life and work. Don Giovanni has repeatedly served as the central starting point for such poetic and intellectual engagement but also the composer’s personality which epitomizes the notion of the genius-artist. This volume contains the proceedings of a conference held at Queen Mary College, University of London, in April 2006. The contributors discuss the Mozart myth with regard to its literary, philosophical and cultural implications as well as its attempted disenchantment.
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