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Music and Cosmopolitanism
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Music and Cosmopolitanism : Rio de Janeiro at the Turn of the 20th Century

Book Details

Format Hardback or Cased Book
ISBN-10 0199744777
ISBN-13 9780199744770
Publisher Oxford University Press Inc
Imprint Oxford University Press Inc
Country of Manufacture GB
Country of Publication GB
Publication Date Sep 26th, 2024
Print length 424 Pages
Weight 742 grams
Dimensions 24.30 x 16.60 x 3.10 cms
Ksh 12,100.00
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In Music and Cosmopolitanism, Cristina Magaldi examines music making in a past globalized world. This volume focuses on one city, Rio de Janeiro, and how it became part of a larger world through music and performance. Magaldi describes a process of creating connections beyond national borders, one that is familiar to contemporary city residents, but which was already dominant at the turn of the 20th century, as new technological developments led to alternative ways of making and experiencing music.
Music and Cosmopolitanism is a musical portrait of a city-Rio de Janeiro. Award-winning author Cristina Magaldi takes readers on an auditory tour through the city''s early post-Imperial years, a period of crucial transition, as she surveys the city''s variegated ''soundscape.'' With visits to opera theaters and dance halls, and from symphony concerts to the cabaret, music halls, and the street, Magaldi moves through a gamut of musical expressions in Rio de Janeiro during these critical years of change. Her investigations demonstrate that the city''s musical practices were articulated within a cosmopolitan context shared by residents in cities in the Americas and Europe, as she examines the musical and cultural interactions that resulted from early processes of urbanization, globalization, and the circulation of technology and information into and out of the Brazilian capital. While Rio de Janeiro''s particular geography, urban spaces, and specific social and ethnic interactions all played roles in characterizing unique local musical practices, Music and Cosmopolitanism focuses on how these practices were linked to and fueled by the circulation of music on the international stage.

To understand music and performance as part of a larger system of human connections and disconnections that are always in motion, this book offers a story of musical Rio de Janeiro that was built as much as, or perhaps more so, from the outside in than from within its socio-historical and cultural contexts - a city that grew to become one place containing many worlds.

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