Music and the Staged Veillée in Quebec : Performing Tradition
by
Laura Risk
Book Details
Format
Hardback or Cased Book
Book Series
Music in American Life
ISBN-10
0252049683
ISBN-13
9780252049682
Publisher
University of Illinois Press
Imprint
University of Illinois Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
May 26th, 2026
Print length
280 Pages
Weight
454 grams
Ksh 15,850.00
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0 in stock
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Quality
Fast
The story of a cultural touchstone and its impact
Fiddlers, step dancers, storytellers, traditional singers, and folklorists staged Montreal’s first veillÉe in 1919. All that was missing, announced one of the organizers, was a magic carpet to transport the audience into the countryside and a kiss of forgetfulness to erase the woes of modern life.
Laura Risk tells the story of the veillÉes and explores how these commercial performances of idealized rural life became part of Quebec’s cultural heritage. Her in-depth examinations of key performances and recordings follow traditional music and dance from the stage onto radio, records and other audio media, and television. Throughout, Risk documents how veillÉes redefined folklore in twentieth-century Quebec and illuminates how their distinctive framing of traditional musicians and repertoire impacts the performance and reception of the music to the present day.
Astute and evocative, Music and the Staged Veillée in Quebec reveals the music, dancing, call-and-response songs, and extramusical associations winding through century-long conversations about nation, culture, and identity in Quebec.
Fiddlers, step dancers, storytellers, traditional singers, and folklorists staged Montreal’s first veillÉe in 1919. All that was missing, announced one of the organizers, was a magic carpet to transport the audience into the countryside and a kiss of forgetfulness to erase the woes of modern life.
Laura Risk tells the story of the veillÉes and explores how these commercial performances of idealized rural life became part of Quebec’s cultural heritage. Her in-depth examinations of key performances and recordings follow traditional music and dance from the stage onto radio, records and other audio media, and television. Throughout, Risk documents how veillÉes redefined folklore in twentieth-century Quebec and illuminates how their distinctive framing of traditional musicians and repertoire impacts the performance and reception of the music to the present day.
Astute and evocative, Music and the Staged Veillée in Quebec reveals the music, dancing, call-and-response songs, and extramusical associations winding through century-long conversations about nation, culture, and identity in Quebec.
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