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Music, Philosophy and Gender in Nancy, Lacoue-Labarthe, Badiou
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Music, Philosophy and Gender in Nancy, Lacoue-Labarthe, Badiou

Book Details

Format Hardback or Cased Book
Book Series Crosscurrents
ISBN-10 1474458319
ISBN-13 9781474458313
Publisher Edinburgh University Press
Imprint Edinburgh University Press
Country of Manufacture GB
Country of Publication GB
Publication Date Aug 31st, 2020
Print length 216 Pages
Weight 532 grams
Dimensions 16.20 x 24.00 x 2.50 cms
Ksh 18,000.00
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Analyses the role of music in the work of Nancy, Lacoue-Labarthe and Badiou, and the role of gender in the history of philosophy of music.

What counts as music for contemporary thinkers? Why is music of use to philosophers and how do they use it in their work? How do philosophers decide what music is and what assumptions are uncritically inherited in this move? And what is the philosophical relationship between music and gender? To answer these questions, Sarah Hickmott looks at the way music is used, characterised and understood in the work of Jean-Luc Nancy, Philippe Lacoue-Labarthe and Alain Badiou. Despite the differences in their philosophical-theoretical positions, all of these writers invoke music – both directly and indirectly – to negotiate their relationship to ontology, politics, ethics and aesthetics. Given a longer philosophical history, dating back at least to Plato, of aligning music with the feminine, she also focuses on the way gender is deployed, understood and constructed within the philosophy of music.


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