Musical Illusions and Phantom Words
Book Details
Format
Paperback / Softback
ISBN-10
0197672280
ISBN-13
9780197672280
Publisher
Oxford University Press Inc
Imprint
Oxford University Press Inc
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Feb 7th, 2023
Print length
264 Pages
Weight
386 grams
Dimensions
15.30 x 23.50 x 1.90 cms
Product Classification:
Theory of music & musicologyCognitive sciencePsychologyCreative therapy (eg art, music, drama)
Ksh 3,750.00
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In this ground-breaking synthesis of art and science, Diana Deutsch shows how illusions of music and speech have fundamentally altered thinking about the brain. Deutsch addresses many fascinating questions: Why is perfect pitch so rare? Why do some people hallucinate music? Why do we hear phantom words? Why do we sometimes hear speech as song? Drawing on psychology, music theory, linguistics, and neuroscience, this book will prove engrossing to specialists and non-specialists alike.
In this ground-breaking synthesis of art and science, Diana Deutsch, one of the world''s leading experts on the psychology of music, shows how illusions of music and speech--many of which she herself discovered--have fundamentally altered thinking about the brain. These astonishing illusions show that people can differ strikingly in how they hear musical patterns--differences that reflect variations in brain organization as well as influences of language on music perception. Drawing on a wide variety of fields, including psychology, music theory, linguistics, and neuroscience, Deutsch examines questions such as: When an orchestra performs a symphony, what is the "real" music? Is it in the mind of the composer, or the conductor, or different members of the audience? Deutsch also explores extremes of musical ability, and other surprising responses to music and speech. Why is perfect pitch so rare? Why do some people hallucinate music or speech? Why do we hear phantom words and phrases? Why are we subject to stuck tunes, or "earworms"? Why do we hear a spoken phrase as sung just because it is presented repeatedly? In evaluating these questions, she also shows how music and speech are intertwined, and argues that they stem from an early form of communication that had elements of both. Many of the illusions described in the book are so striking and paradoxical that you need to hear them to believe them. The book enables you to listen to the sounds that are described while reading about them.
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