Musical Notes by Honoré Daumier – Prints from the Collection of Egon and Belle Gartenberg : Prints from the Collection of Egon and Belle Gartenberg
Book Details
Format
Paperback / Softback
ISBN-10
0911209476
ISBN-13
9780911209471
Publisher
Pennsylvania State University Press
Imprint
Palmer Museum of Art
Country of Manufacture
US
Country of Publication
GB
Publication Date
May 15th, 2002
Print length
24 Pages
Weight
124 grams
Dimensions
25.30 x 22.90 x 0.50 cms
Product Classification:
History of art & design styles: c 1800 to c 1900Prints & printmakingPrints and printmakingHistory of artIndividual artists, art monographsRomantic music (c 1830 to c 1900)Art music, orchestral and formal musicEuropean historyModern history to 20th century: c 1700 to c 1900HistoryEuropean history
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A painter, sculptor and printmaker, Honore Daumier (1808-1879) was one of the most prolific and important artists of 19th-century France. This text, which accompanied an exhibition of prints from the collection of Egon and Belle Gartenberg, focuses on Daumier's records of the musical life of Paris.
A painter, sculptor, and printmaker, Honoré Daumier (1808–1879) was one of the most prolific and important artists of nineteenth-century France. He played a leading role in shaping the new realism brought to the portrayal of everyday life, but he is now best known for the thousands of caricatures he published in magazines and newspapers such as Le Charivari, a daily with satirical articles and a wide circulation. Musical Notes by Honoré Daumier, which accompanied an exhibition of prints from the Collection of Egon and Belle Gartenberg, focuses on Daumier's vivid records of the musical life of Paris. Although not himself a musician, Daumier had a keen interest in the amateur practice of the art as well as in grand opera and the celebrated performers and composers of his day. Hector Berlioz, Franz Liszt, Gioacchino Rossini, and Niccolò Paganini are among the "greats" lampooned in the lithographs in Musical Notes by Honoré Daumier. Other prints offer satirical glimpses into the music making of everyday Parisians—from squawking clarinets to flirtatious piano teachers and straining tenors. In these lithographs, as in most of the prints Daumier produced during his long career, he discloses the foibles and follies of a society facing rapid changes in its cultural norms.
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