Must We Burn Sade?

Presents a collection of essays that seek to examine Sade for what he was - a writer of novels and letters, a creator of plays and stories, and an author of essays and political manifestos. This work looks at the literary, theatrical, political, social, and philosophical aspects of Sade's work, acquitting him of the false accusations.

The Marquis de Sade (1740-1814) has been labeled everything from a sadomasochistic pornographer (The 120 Days of Sodom) to the fiction writer responsible for the ideas that led to the Nazi death camps. Must We Burn Sade? peels away the negative legacy that has shrouded Sade for too long. Deepak Narang Sawhney points out that "Sade's legacy has been neglected, recreated, fictionalized, and venerated by medical guilds, literary hacks, religious detractors, and intellectual movements. In the past two centuries, Sade has come to represent many things for many people. . . . It is unclear whether we know Sade the writer or the apparatus which has been set up to either condemn or to sanctify his life and work."

By contrast, this intriguing collection of essays seeks to examine Sade for what he was—a writer of novels and letters, a creator of plays and stories, and an author of essays and political manifestos. The contributors examine the literary, theatrical, political, social, and philosophical aspects of Sade's work, acquitting him of the false accusations and trials that have plagued his name by revealing his influences and motivations, and by providing an understanding of society's fear of Sade. What is so alarming about Sade's books that civilized society has felt compelled to disassociate itself from his works? This volume forces us to rethink Sade. Included are essays by Kathy Acker, David Allison, Georges Bataille, Catherine Cusset, Lucienne Frappier-Mazur, Annie Le Brun, Alphonso Lingis, Stephen Pfohl, Deepak Narang Sawhney, Philippe Sollers, and Alistair Welchman.