My Death
by
Lisa Tuttle
Book Details
Format
Paperback / Softback
ISBN-10
1681377721
ISBN-13
9781681377728
Publisher
New York Review Books
Imprint
NYRB Classics
Country of Manufacture
US
Country of Publication
GB
Publication Date
Oct 10th, 2023
Print length
144 Pages
Weight
142 grams
Dimensions
12.70 x 20.20 x 1.20 cms
Product Classification:
Crime & mysteryHorror & ghost stories
Ksh 2,900.00
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A widowed writer begins to work on a biography of a novelist and artist—and soon uncovers bizarre parallels between her life and her subject’s—in this chilling and singularly strange novella by a contemporary master of horror and fantasy.
The narrator of Lisa Tuttle’s uncanny novella is a recent widow, a writer adrift. Not only has she lost her husband, but her muse seems to have deserted her altogether. Her agent summons her to Edinburgh to discuss her next book. What will she tell him? At once the answer comes to her: she will write the biography of Helen Ralston, best known, if at all, as the subject of W.E. Logan’s much-reproduced painting Circe, and the inspiration for his classic children’s book.
But Ralston was a novelist and artist in her own right, though her writing is no longer in print and her most storied painting too shocking, too powerful—malevolent even—to be shown in public. Over the months that follow, Ralston proves a reluctantly cooperative subject, even as her biographer uncovers eerie resonances between the older woman’s life and her own. Whose biography is she writing, really?
The narrator of Lisa Tuttle’s uncanny novella is a recent widow, a writer adrift. Not only has she lost her husband, but her muse seems to have deserted her altogether. Her agent summons her to Edinburgh to discuss her next book. What will she tell him? At once the answer comes to her: she will write the biography of Helen Ralston, best known, if at all, as the subject of W.E. Logan’s much-reproduced painting Circe, and the inspiration for his classic children’s book.
But Ralston was a novelist and artist in her own right, though her writing is no longer in print and her most storied painting too shocking, too powerful—malevolent even—to be shown in public. Over the months that follow, Ralston proves a reluctantly cooperative subject, even as her biographer uncovers eerie resonances between the older woman’s life and her own. Whose biography is she writing, really?
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