Narratives of French Modernity : Themes, Forms and Metamorphoses- Essays in Honour of David Gascoigne
New
Book Details
Format
Paperback / Softback
Book Series
Modern French Identities
ISBN-10
3039110519
ISBN-13
9783039110513
Edition
New
Publisher
Verlag Peter Lang
Imprint
Verlag Peter Lang
Country of Manufacture
CH
Country of Publication
GB
Publication Date
Mar 4th, 2011
Print length
362 Pages
Weight
528 grams
Dimensions
15.20 x 22.50 x 2.00 cms
Product Classification:
Language: reference & generalClassical textsLiterary studies: from c 1900 -
Ksh 11,100.00
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Examines the flourishing of intertextuality, as well as the use of traditional forms, such as mythical structures and the 'robinsonade', to undermine authoritative 'metarecits'. This book examines a wide variety of prose genres, from pornography to Bildungsroman to magic realism, as well as poetry.
Inspired by the work of their colleague David Gascoigne, a group of scholars from the UK and France examine in this book the narrative strategies of some of the most interesting and important French writers of the twentieth and twenty-first centuries. Stretching chronologically from 1905 to 2005, the volume examines a wide variety of prose genres, from pornography to Bildungsroman to magic realism, as well as poetry. Michel Tournier figures in several of the contributions, emerging as something of a touchstone for many of the thematic preoccupations that are common throughout the period: values and authority, self and other, identity, spirituality, migration and exile, sexuality, the body, violence and war, and language. The authors also examine the flourishing of intertextuality, as well as the use of traditional forms, such as mythical structures and the ‘robinsonade’, to undermine authoritative ‘métarécits’. Probing these themes and forms, and their metamorphoses across 100 years, the essays demonstrate a striking degree of continuity, linking writers as different as Apollinaire and Houellebecq or Valéry and Fleutiaux, and highlight the difficulty of dividing the period neatly into chronologically ordered categories labelled ‘modern’ or ‘postmodern’.
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