Nationalism, Chauvinism and Racism as Reflected in European Musical Thought and in Compositions from the Interwar Period
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This book concerns the ways in which nationalism, chauvinism and racism penetrated into musical thought in the interwar period. The impact of these ideologies on the reflection on music has been discussed on the example of four countries of various social-political systems and ethnic backgroud: Germany, Italy, Poland and Great Britain.
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