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Neo-Feminist Cinema
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Neo-Feminist Cinema : Girly Films, Chick Flicks, and Consumer Culture

Book Details

Format Hardback or Cased Book
ISBN-10 0415877733
ISBN-13 9780415877732
Publisher Taylor & Francis Ltd
Imprint Routledge
Country of Manufacture GB
Country of Publication GB
Publication Date Oct 25th, 2010
Print length 240 Pages
Weight 480 grams
Ksh 27,900.00
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Examines how Hollywood has responded to women's changing social roles through an analysis of a flourishing sub-genre 'the Girly Film', associated with the 'Chick Flick'. This book explores such films as "He's Just Not That Into You", "The Devil Wears Prada", "Bride Wars", "Sex and the City", and more.

What lies behind current feminist discontent with contemporary cinema?

Through a combination of cultural and industry analysis, Hilary Radner''s Neo-Feminist Cinema: Girly Films, Chick Flicks and Consumer Culture shows how the needs of conglomerate Hollywood have encouraged an emphasis on consumer culture within films made for women. By exploring a number of representative "girly films," including Pretty Woman, Legally Blonde, Maid in Manhattan, The Devil Wears Prada, and Sex and the City: The Movie, Radner proposes that rather than being "post-feminist," as is usually assumed, such films are better described as "neo-feminist." Examining their narrative format, as it revolves around the story of an ambitious unmarried woman who defines herself through consumer culture as much as through work or romance, Radner argues that these films exemplify neo-liberalist values rather than those of feminism.

As such, Neo-Feminist Cinema offers a new explanation as to why feminist-oriented scholars and audiences who are seeking more than "labels and love" from their film experience have viewed recent "girly films" as a betrayal of second-wave feminism, and why, on the other hand, such films have proven to be so successful at the box office.


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