Nilling : Prose Essays on Noise, Pornography, The Codex, Melancholy, Lucretiun, Folds, Cities and Related Aporias
Book Details
Format
Paperback / Softback
ISBN-10
1897388896
ISBN-13
9781897388891
Publisher
Book*hug
Imprint
Book*hug
Country of Manufacture
US
Country of Publication
GB
Publication Date
Mar 31st, 2012
Print length
96 Pages
Weight
127 grams
Dimensions
15.20 x 22.80 x 1.00 cms
Product Classification:
Anthologies (non-poetry)Literature: history & criticismLiterary studies: general
Ksh 2,900.00
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Literary Nonfiction. NILLING: PROSE is a sequence of five loosely linked prose essays about noise, pornography, the codex, melancholy, Lucretius, folds, cities and related aporias: in short, these are essays on reading.
I have tried to make a sketch or a model in several dimensions of the potency of Arendt''s idea of invisibility, the necessary inconspicuousness of thinking and reading, and the ambivalently joyous and knotted agency to be found there. Just beneath the surface of the phonemes, a gendered name rhythmically explodes into a founding variousness. And then the strictures of the text assert again themselves. I want to claim for this inconspicuousness a transformational agency that runs counter to the teleology of readerly intention. Syllables might call to gods who do and don''t exist. That is, they appear in the text''s absences and densities as a motile graphic and phonemic force that abnegates its own necessity. Overwhelmingly in my submission to reading''s supple snare, I feel love.
I have tried to make a sketch or a model in several dimensions of the potency of Arendt''s idea of invisibility, the necessary inconspicuousness of thinking and reading, and the ambivalently joyous and knotted agency to be found there. Just beneath the surface of the phonemes, a gendered name rhythmically explodes into a founding variousness. And then the strictures of the text assert again themselves. I want to claim for this inconspicuousness a transformational agency that runs counter to the teleology of readerly intention. Syllables might call to gods who do and don''t exist. That is, they appear in the text''s absences and densities as a motile graphic and phonemic force that abnegates its own necessity. Overwhelmingly in my submission to reading''s supple snare, I feel love.
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