Noah Davis
Book Details
Format
Hardback or Cased Book
ISBN-10
3791377744
ISBN-13
9783791377742
Publisher
Prestel
Imprint
Prestel
Country of Manufacture
IT
Country of Publication
GB
Publication Date
Mar 6th, 2025
Print length
272 Pages
Weight
1,074 grams
Dimensions
25.00 x 20.10 x 2.40 cms
Product Classification:
Individual artists, art monographsExhibition catalogues & specific collections
Ksh 7,200.00
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This striking exhibition catalog celebrates the late artist whose deeply emotional works intermingled realism with abstraction to address complex themes of identity, race, and community. American artist Noah Davis (1983–2015) believed ‘painting does something to your soul that nothing else can. It is visceral and immediate.’ Drawing on art history, personal archives, anonymous photography found in Los Angeles’ flea markets, and his own imagination, he compiled a ravishing body of figurative paintings that explore a range of Black life. Alongside his celebrated paintings, Davis made drawings, collages, and sculptures, and co-founded the Underground Museum. This elegantly designed volume documents the span of Davis’s career and attends to his commitment to representation in the art world and community engagement at the Underground Museum. Alongside new scholarship from writers, artists, and musicians like Tina M. Campt, Claudia Rankine, Marlene Dumas and Jason Moran, this catalog features high-quality reproductions of Davis’s more widely-known works as well as previously unseen archival material. A vital resource for understanding the depth and significance of his practice, this beautiful publication reveals how humanity, humor, imagination, and above all, people, were the epicenter of Davis’s work.
This striking exhibition catalog celebrates the late artist whose deeply emotional works intermingled realism with abstraction to address complex themes of identity, race, and community.
American artist Noah Davis (19832015) believed painting does something to your soul that nothing else can. It is visceral and immediate. Drawing on art history, personal archives, anonymous photography found in Los Angeles flea markets, and his own imagination, he compiled a ravishing body of figurative paintings that explore a range of Black life. Alongside his celebrated paintings, Davis made drawings, collages, and sculptures, and co-founded the Underground Museum.
This elegantly designed volume documents the span of Daviss career and attends to his commitment to representation in the art world and community engagement at the Underground Museum. Alongside new scholarship from writers, artists, and musicians like Tina M. Campt, Claudia Rankine, Marlene Dumas, and Jason Moran, this catalog features high-quality reproductions of Daviss more widely-known works as well as previously unseen archival material. A vital resource for understanding the depth and significance of his practice, this beautiful publication reveals how humanity, humor, imagination, and above all, people, were the epicenter of Daviss work.
American artist Noah Davis (19832015) believed painting does something to your soul that nothing else can. It is visceral and immediate. Drawing on art history, personal archives, anonymous photography found in Los Angeles flea markets, and his own imagination, he compiled a ravishing body of figurative paintings that explore a range of Black life. Alongside his celebrated paintings, Davis made drawings, collages, and sculptures, and co-founded the Underground Museum.
This elegantly designed volume documents the span of Daviss career and attends to his commitment to representation in the art world and community engagement at the Underground Museum. Alongside new scholarship from writers, artists, and musicians like Tina M. Campt, Claudia Rankine, Marlene Dumas, and Jason Moran, this catalog features high-quality reproductions of Daviss more widely-known works as well as previously unseen archival material. A vital resource for understanding the depth and significance of his practice, this beautiful publication reveals how humanity, humor, imagination, and above all, people, were the epicenter of Daviss work.
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