Nobody Home : Writing, Buddhism, and Living in Places
Book Details
Format
Paperback / Softback
ISBN-10
1595342516
ISBN-13
9781595342515
Publisher
Trinity University Press,U.S.
Imprint
Trinity University Press,U.S.
Country of Manufacture
US
Country of Publication
GB
Publication Date
Nov 27th, 2014
Print length
280 Pages
Weight
264 grams
Dimensions
17.70 x 12.80 x 2.00 cms
Product Classification:
Diaries, letters & journals
Ksh 2,350.00
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A collection of interviews and letters between beloved poet Gary Snyder and South African writer and scholar Julia Martin
In this thoughtful, affectionate collection of interviews and letters spanning three decades, beloved poet Gary Snyder talks with South African writer and scholar Julia Martin. Over this period many things changed decisivelyglobally, locally, and in their personal livesand these changing conditions provide the back story for a long conversation. It begins in the early 1980s as an intellectual exchange between an earnest graduate student and a generous distinguished writer, and becomes a long-distance friendship and an exploration of spiritual practice.
At the project’s heart is Snyder’s understanding of Buddhism. Again and again, the conversations return to an explication of the teachings. Snyder’s characteristic approach is to articulate a direct experience of Buddhist practice rather than any kind of abstract philosophy. In the version he describes here, this practice finds expression not primarily as an Asian import or a monastic ideal, but in the specificities of a householder’s life as lived creatively in a particular location at a particular moment in history. This means that whatever topic” a dialogue explores, there is a sense that all of it is about practicethe spiritual-social practice of a contemporary poet.
At the project’s heart is Snyder’s understanding of Buddhism. Again and again, the conversations return to an explication of the teachings. Snyder’s characteristic approach is to articulate a direct experience of Buddhist practice rather than any kind of abstract philosophy. In the version he describes here, this practice finds expression not primarily as an Asian import or a monastic ideal, but in the specificities of a householder’s life as lived creatively in a particular location at a particular moment in history. This means that whatever topic” a dialogue explores, there is a sense that all of it is about practicethe spiritual-social practice of a contemporary poet.
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