Northman: John Hewitt (1907-87) : An Irish writer, his world, and his times
Book Details
Format
Hardback or Cased Book
ISBN-10
0198739826
ISBN-13
9780198739821
Publisher
Oxford University Press
Imprint
Oxford University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jul 23rd, 2015
Print length
324 Pages
Weight
646 grams
Dimensions
16.70 x 24.10 x 2.60 cms
Product Classification:
Literary studies: from c 1900 -Literary studies: poetry & poetsBritish & Irish history
Ksh 18,250.00
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Northman is the first ever biography of John Hewitt, whom the Irish writing generation of Seamus Heaney regarded as 'the daddy of us all'.
This, the first ever biography of John Hewitt, is based on archival material, both personal and literary. In many ways it is also a biography of his wife, Roberta (nee Black), whose manuscript journal is also in the public domain. To establish Hewitt''s late arrival as a poet, the book opens with a chapter recounting his negotiations with a London publisher over a long period and the eventual appearance of No Rebel Word (1949). Successive chapters trace his education, courtship, literary apprenticeship, first employment as a junior gallery curator in Belfast, the political conflicts of the 1930s and then the War Years, his rejection for the post of director in Belfast''s Civic Museum and Gallery, and his utopian commitment to regionalism. Appointment to the Herbert Gallery in Coventry in 1956 brought recognition and confidence. His leanings towards socialist realism came to accommodate abstract art, and he defended the sculptor Barbara Hepworth against the penny-pinching ratepayers. Throughout this two-part career, Hewitt maintained his output as poet, culminating in the Collected Poems (1968). His Irish political commitments never wavered, though he became cautious about forms of nationalism which proclaimed themselves left-wing. Roberta Hewitt''s work for the Coventry Labour Party provided an outlet for her energies and her domestic frustrations. Throughout these forty years, the poetry is kept constantly in view, sometime by reference to individual pieces and their origins, and some by means of longer ''breaks for text'' where more detailed criticism is practised. In 1972, the Hewitts returned to Belfast whenthe Troubles reached an ugly peak. Committed to anti-sectarianism, Hewitt withheld support from all parties, though he took an interest in trade union activity. Publishing (perhaps too much) poetry in his last decade-and-a-half, he died very much in harness.
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